In 1834, Charles Stewart (Alan Ladd), the spoiled, dissolute son of a shipping magnate, is shanghaied aboard the Pilgrim, one of his father’s own ships. He embarks upon a long, hellish sea voyage under the tyrannical rule of Captain Francis Thompson (Howard Da Silva), assisted by his first mate, Amazeen (William Bendix). One of his crewmates is Richard Henry Dana Jr. (Brian Donlevy).

Before Google, Yahoo and even Apple, before the Silicon Valley cliché of informal dress code, skateboards running the corridors and wild creativity became commonplace, one company embodied the digital economy lifestyle and business style: the one firm coming out of the Age of Aquarius was Atari. The story of Atari is two-thirds the story of Nolan Bushnell, founder and visionary, and one-third the first and probably biggest boom and bust of the new economy some 20 years before the new economy even existed. Atari was showing that technology is cool, way before the personal computer revolution took place and they were reaching out to an ever-growing audience with something that is still cool today: video games. Atari literally introduced the digital world to the mass consciousness.

Having spent the last 10 years fighting injustice and cruelty, Alejandro de la Vega is now facing his greatest challenge: his loving wife Elena has thrown him out of the house! Elena has filed for divorce and found comfort in the arms of Count Armand, a dashing French aristocrat. But Alejandro knows something she doesn’t: Armand is the evil mastermind behind a terrorist plot to destroy the United States. And so, with his marriage and the county’s future at stake, it’s up to Zorro to save two unions before it’s too late.